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Robert Campin The Virgin and the Child Before a Fire Screen National Gallery, London
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Robert Campin Portrait of a Lady 1420-30, The National Gallery at London
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Robert Campin The Nativity 1425, Mus??e des Beaux-Arts at Dijon
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Robert Campin The Annunciation 1425-28, oil on panel, Metropolitan Museum of Art at New York.
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Robert Campin Madonna by the Fireside 1430s, oil on wood (half of a diptych), The Hermitage at St. Petersburg
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Robert Campin Annunciation (mk08) Undated
Tempera on wood,
61x63cm
Brussels,Musees Royaux des Beaux-Arts
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Robert Campin St Barbara (mk08) Tempera on wood 101x47cm
Madrid,Museo del Prado
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Robert Campin Portrait of a Man (mk08) C.1435
Tempera on wood
41x28cm
London,National Gallery
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Robert Campin The Virgin and Child before a Fire-screen (nn03) c 1425/30 Oil on and Tempera on panel 63.5 x 49.5 cm 25 x 19 1/4 National Gallery London
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Robert Campin Madonna and Child Befor a Fireplace mk65
Oil on panel
13x9 1/2"
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Robert Campin Mourning Trinity mk65
Oil on panel
13x9"
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Robert Campin Detail of Mourning Trinity mk65
Detail
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Robert Campin Annunciation mk86
undated
Tempera on wood
6163cm
Brussels
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Robert Campin St Barbara mk86
1438
Tempera on wood
101x47cm
Madrid,Museo del Prado
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Robert Campin Portrait o a Man mk86
c.1435
Tempera on wood
41x26cm
London,National Gallery
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Robert Campin Virgin and Child at the Fireside mk91
Right wing of a diptych
Oil on panel
34.3x24.5
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Robert Campin Annunciation The Merode Altarpiece mk156
1425-30
Oil on panel
64.3x62.9cm
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Robert Campin A Woman mk156
c.1435
Tempera on oak
40.6x28.1cm
Natonal Gallery
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Robert Campin Virgin and Child Befroe a Firescreen mk156
c.1440
Tempera on oak
63.4x48.5cm
National Gallery
London
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Robert Campin Portrait of a Man mk170
circa 1430
Oil and egg tempera on oak
40.7x28.1cm
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Robert Campin
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1406-1444
Robert Campin Location
South Netherlandish painter. He is first mentioned in 1405-6 as a painter in Tournai. As he purchased citizenship there in 1410, he may have been born elsewhere. There is evidence of some connection with Valenciennes, where the name Campin is said to have been common, but nothing certain is known of his artistic training and background.
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